There are three romantic tracks – one with Natasha (she dreams, not he), the other with Nayanathara that eventually ends abruptly, then another with Haripriya which is crucial to the story. Only towards the interval bang it sustains some interest. Some punch dialogues that are aimed to please his fans are okay but rest of the dialogues are over the top. Brahmanandam has lost his mojo long back as comedian and still the director has made the comedian to do the same comedy that he stopped playing a decade ago.
JAI SIMHA CINEMARK MOVIE
The film begins in regular masala movie manner with hero-elevating fights, comedy and songs. The screenplay technique – a hero leading peaceful life hiding his past ought to reveal his true identity when the persons from the past life catch up again. His recent film was Rajinikanth starrer “Linga”. The film is directed by K S Ravikumar of hits like “Muthu”, “Narasimha”, “Bhamane Sathyabhamane”, “Sneham Kosam” and “Dasavatharam”. “Jai Simha”, Nandamuri Balakrishna’s 102nd film, tells the story of a Vizag based mechanic who has a past life that still haunts him. Rest of the movie is all about his love story with Gowri some years ago in Vizag, and why he had to break up with her to marry another woman and how their fates are now inter-linked. In an another incident, he comes face to face with Gowri, who is now wife of ACP. However, he also lands in trouble with a local leader and later with the town’s ACP.
JAI SIMHA CINEMARK DRIVER
The guy is Narasimha (Balakrishna) who is running away from his past life and finally settles in Kumbakonam in Tamilnadu where he gets a job as driver in a Temple daramkartha’s house. Story cuts to reveal, a guy is leaving with a new born baby in search of quite places. At a hospital bed, Gowri (Nayanathara) wakes up to find her newborn baby is missing.
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